 |  |  |
S1 - Main Title (3:06)
S15 - Japanese Military (:00-:18) [Rename to "Attention"]
S15 - Japanese Military (1:03-2:15) [Rename to "Commander in Chief Ceremony"]
S2 - The Chancellery (1:05)
S15 - Japanese Military (2:15-3:13) [Rename to "Officer's Dinner"]
S3 - Little Hope (:00-1:20)
S16 - American Military (:00-:16) [Rename to "Heading Out"]
S3 - Little Hope (1:20-End) [Rename to "Unveiling the Map"]
S4 - Predictions (2:44)
S5 - Disagreement (2:02)
S6 - Imperial Palace (2:30)*
S7 - Mt. Niitaka (1:17)
S18 - Hawaiian Radio (:00-:35)
S8 - The Waiting Game (5:48)
S17 - Big Band Source (2:25) [Rename to "At Last / Chattanooga Choo Choo"]@
S9 - Sunday Morning (2:55)
S10 - The 14th Part (2:40)
S11 - Entr'Acte (1:47)
S12 - Pre-Flight Countdown (2:08)
S13 - On the Way (1:40)
S18 - Hawaiian Radio (:35-End) [Rename to "Music from Honolulu"]
S14 - The Final Message (:00-2:22)
S16 - American Military (:16-:End) [Rename to "Raising the Flag / The Star Spangled Banner"]
S15 - Japanese Military (3:13-End) [Rename to "Battle Announcement"]
S14 - The Final Message (2:22-5:02) [Rename to "Finale"]
Bonus Tracks:
S20 - Tora Theme (Piano) (1:17)
S15 - Japanese Military (:18-1:03)
S19 - The Waiting Game (With Overlay) (5:48)
S21 - Tora Theme (Orchestra) (1:42)
* = Unused
@ = S17 (:00-1:25) overlaps S8 at 3:37 (S19 contains the film version of this).
S = La-La Land 2011 Release and 2021 Release (Disc 2) / Film Score Monthly 2000 Release
Note: The producer indicated the 2011 and 2021 La-La Land releases are from the same master (e.g. no sonic upgrade or changes occurred).
1 comment:
Tora! Tora! Tora!" is still "THE" Pearl Harbor Movie to me. It is one of the most historically accurate films I have ever seen. It's such a shame it didn't get the credit it deserves. The acting, the pacing, the accuracy, the music. It's so well done. The way the film puts details in the background without highlighting or fully explaining them, for example, the appearances of Doris Miller manning the gun, notable because of his race and clear position as a messmate, and John Finn, the wounded sailor that continuously fires upon the aircraft in the last of the attack sequences (curiously enough, although Elven Havard is credited as Miller, the actor that plays Finn is uncredited), reminds me of a similar technique that appears in the classic British film "A Night to Remember" (1958), in which some characters appear during the Titanic sinking, and the viewer had to have basically read several books beforehand to know who is who or why we have a foucs on the events.
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