xXx
B1 - Main (:39) [Rename to "Washington Searches For The Right Man: Part 1"]
B2 - Agent Augustus Gibbons (1:32) [Rename to "Washington Searches For The Right Man: Part 2"]
B3 - Xander's Little Bridge Stunt (1:08) [Rename to "In Xander's Zone"]
B4 - Surprise Party (1:52) [Rename to "Been To Any Diners Lately?"]
B5 - The Diner Test (:35) [Rename to "El Jefe In The Colombian Drug Fields"]
B6 - El Jefe (:49) [Rename to "Funny Guy"]
B7 - Fuerza Aerea Columbiana Strike (2:17) [Rename to "Airstrike"]
B8 - Covering His Back (3:28) [Rename to "Motorcycle Assault"]*
B9 - Recruited (:27) [Rename to "Pussies"]
S11/B10 - Lions and Gibbons (2:03)
S1/B11 - Prague Arrival (1:52)+
B12/S13A - Infiltrate (:59) [Rename to "Go Deeper"]
B13 - Augustus Gibbons (2:03) [Rename to "Anarchy 99"]
S14/B14 - Your Eyes Give You Away (2:04)
B15 - Hell On Wheels (3:19) [Rename to "Escape from Restaurant"]
B16 - Xander's Lucky Day (5:39) [Rename to "Infiltration"]
S7/B17-18 - The Changing Science of Ahab (3:10)
B19 - Agent Toby Lee Shavers (3:02) [Rename to "Xander's Escape"]
B20 - $1.2 Million Car Order (:30) [Rename to "Safehouse"]
S8/B21-22 - A Kiss on the Rooftop (3:03)
B23 - Lunch With A Secret Agent (2:38) [Rename to "Victor Gives Chase"]~
S3/B24-25 - A Distorted View of the World (2:21)
S4/B26 - Czech Cavalry (1:45)
B27 - Fire In The Hole! (3:47) [Rename to "Heat-Seeker/Death Of Yorgi"]~
B28 - I Switched Sides (:52) [Rename to "Shavers Arrives"]
B29 - Taking Out The Communications Tower (3:15) [Rename to "Ahab Chase: Part 1"]
B30 - Saved By The Prague Police (3:51) [Rename to "Ahab Chase: Part 2"]
B31 - No Smoking Allowed (2:54) [Rename to "Detonate"]
S13/B32 - In Xander's Zome (1:19-End) [Rename to "A Man of My Word"]
B33 - Going Straight Through (:35) [Rename to "Finding Paradise In Bora Bora"]
B34 - Dropping In An Ahab (1:01) [Rename to "The Gibbons Test"]
B35 - Welcome To The Xander Zone! (2:31) [Rename to "End Credits"]#
Bonus Tracks:
S2 - Washington Searches for the Right Man (3:31) [Album Version]
S6 - Elena (1:43) [Rename to "Elena's Theme"]
S9 - El Jefe in the Colombian Drug Fields (1:16) [Album Version]
S10 - Finding Paradise in Bora Bora (1:50) [Album Version]
S12 - Motorcycle Assault (4:05) [Album Version]
S13 - In Xander's Zone (:53-1:19) [Rename to "In Xander's Zone (Alternate Insert)"]
S15 - X Marks the Spot (3:42)
* = This cue appears to be an alternate. S12 is also different to
the film version but closer to it than B08. You could choose to use S12
here instead (relegating B08 to an 'alternate version' in the bonus
tracks) if you wanted a slightly different presentation overall.
+ = The album track loops the section from 0:23 to 0:53. B11 is the film version of the cue.
~ = Both of these tracks are partially unused in the final film. B23 seems to have been intended for placement where it is sequenced (it seems to sync with part of the mountain chase sequence) but the cue does not appear in it's entirety in the film. However sections of it were tracked into the final film mix to replace the last minute or so of B27. B27 represents the original intended version of the cue.
# = This cue does not fully appear in the film, but its duration suggests it was meant to underscore the first part of the end credits which was ultimately played against Gavin Rossdale's rock song, 'Adrenaline'. Additionally, the very end of this cue appears (in edited form) at the tail end of the credits, which also suggests the cue was intended for use in the end credits. The film version of the end credits (which plays after 'Adrenaline' for just under seven minutes) comprises edited versions of the following cues: B30, B23, B7, B16, B26, B15, B31, B35.
B = Bootleg
S = Score
Notes: The original bootleg had no track listing. Fan-made CD covers later surfaced with track names that were simply lifted from the DVD chapter list and were entirely inaccurate descriptions of the cues. In instances where an album track matches a corresponding cue on the bootleg above, the album track title has been provided; all other track names provided here are more accurate titles based on the scenes the music accompanies. When comparing the contents of the bootleg to the music as heard in the film, some cues have been slightly remixed/tweaked/edited in the final dub and there are instances of tracking in some spots. The above sequencing presents all currently-available selections of Edelman's music arranged chronologically, but does not entirely reflect the final score as it appears in the final theatrical version of the film.
Information provided by Psycho Mantis.
